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Chesterton’s “Charles Dickens”—Chapter VI in Praise of the Patriotism of Dissent amid Warnings about America.

by Peter A. Belmont / 2010-02-22
© 2010 Peter Belmont


 
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Chesterton’s “Charles Dickens” is a great book, a wonderful life and review of Dickens’s wonderful writings.

I review only that part, in this “blog”, which touches on America, patriotism, and politics. Dickens (as read by GKC) was on to something important. We are seeing it today, among Americans as such and among the supporters of Israel.
 

Chapter 6 of G. K. Chesterton’s marvellous life of Dickens (“Charles Dickens: The Last of the Great Men”)(1906) recalls Dickens’s trip to the USA and recounts Dickens’s disenchantment with Americans.

We would do well to see where this disenchantment came from, for its causes are still with us (and with other self-congratulatory soi-dissant “democracies”). We will encounter Chesterton’s conclusions: “The tyranny was irritating * * * because of the awful glimpses that it gave of the huge and imbecile happiness of the majority” and “He was annoyed more with its contentment than with any of its discontents”. Dickens himself said, “I do fear that the heaviest blow ever dealt at liberty will be dealt by this country, in the failure of its example on the earth.” And GKC again, presciently, “We are still waiting to see if that prediction has been fulfilled; but nobody can say that it has been falsified.”

What was Dickens really upset by? GKC: “The eternal, complacent iteration of patriotic half-truths; the perpetual buttering of one’s self all over with the same stale butter; above all, the big defiances of small enemies, or the very urgent challenges to very distant enemies; the cowardice so habitual and unconscious that it wears the plumes of courage” and “That essential madness is the idea that the good patriot is the man who feels at ease about his country. This notion of patriotism was unknown in the little pagan republics where our European patriotism began. It was unknown in the Middle Ages. In the eighteenth century, in the making of modern politics, a “patriot” meant a discontented man. It was opposed to the word “courtier,” which meant an upholder of present conditions. In all other modern countries, especially in countries like France and Ireland, where real difficulties have been faced, the word “patriot” means something like a political pessimist.”

GKC again. “Martin Chuzzlewit’s America is a mad-house * * * The lunatic is the man who lives in a small world but thinks it is a large one: he is the man who lives in a tenth of the truth, and thinks it is the whole. The madman cannot conceive any cosmos outside a certain tale or conspiracy or vision. Hence the more clearly we see the world divided into Saxons and non-Saxons, into our splendid selves and the rest, the more certain we may be that we are slowly and quietly going mad. The more plain and satisfying our state appears, the more we may know that we are living in an unreal world. For the real world is not satisfying. The more clear become the colours and facts of Anglo-Saxon superiority, the more surely we may know we are in a dream. For the real world is not clear or plain. The real world is full of bracing bewilderments and brutal surprises. Comfort is the blessing and the curse of the English, and of Americans of the Pogram type also. With them it is a loud comfort, a wild comfort, a screaming and capering comfort; but comfort at bottom still. For there is but an inch of difference between the cushioned chamber and the padded cell.




[Dickens was disgusted] at the perpetual posturing of the people before a mirror. The tyranny was irritating, not so much because of the suffering it inflicted on the minority, but because of the awful glimpses that it gave of the huge and imbecile happiness of the majority. The very vastness of the vain race enraged him, its immensity, its unity, its peace. He was annoyed more with its contentment than with any of its discontents. The thought of that unthinkable mass of millions, every one of them saying that Washington was the greatest man on earth, and that the Queen lived in the Tower of London, rode his riotous fancy like a nightmare. But to the end he retained the outlines of his original republican ideal and lamented over America not as being too Liberal, but as not being Liberal enough. Among others, he used these somewhat remarkable words: “I tremble for a Radical coming here, unless he is a Radical on principle, by reason and reflection, and from the sense of right. I fear that if he were anything else he would return home a Tory. . . . I say no more on that head for two months from this time, save that I do fear that the heaviest blow ever dealt at liberty will be dealt by this country, in the failure of its example on the earth.”

* * *

But it is the American part of “Martin Chuzzlewit” which is our concern, and which is memorable. It has the air of a great satire; but if it is only a great slander it is still great. * * * “Martin Chuzzlewit” has this quality of great satire that the critic forgets to ask whether the portrait is true to the original, because the portrait is so much more important than the original

* * *

The great democrat has hold of one of the dangers of democracy. The great optimist confronts a horrible nightmare of optimism. Above all, the genuine Englishman attacks a sin that is not merely American, but English also. The eternal, complacent iteration of patriotic half-truths; the perpetual buttering of one’s self all over with the same stale butter; above all, the big defiances of small enemies, or the very urgent challenges to very distant enemies; the cowardice so habitual and unconscious that it wears the plumes of courage—all this is an English temptation as well as an American one. “Martin Chuzzlewit” may be a caricature of America. America may be a caricature of England. But in the gravest college, in the quietest country house of England, there is the seed of the same essential madness that fills Dickens’s book, like an asylum, with brawling Chollops and raving Jefferson Bricks. That essential madness is the idea that the good patriot is the man who feels at ease about his country. This notion of patriotism was unknown in the little pagan republics where our European patriotism began. It was unknown in the Middle Ages. In the eighteenth century, in the making of modern politics, a “patriot” meant a discontented man. It was opposed to the word “courtier,” which meant an upholder of present conditions. In all other modern countries, especially in countries like France and Ireland, where real difficulties have been faced, the word “patriot” means something like a political pessimist. This view and these countries have exaggerations and dangers of their own; but the exaggeration and danger of England is the same as the exaggeration and danger of The Watertoast Gazette. The thing which is rather foolishly called the Anglo-Saxon civilisation is at present soaked through with a weak pride. It uses great masses of men not to procure discussion but to procure the pleasure of unanimity; it uses masses like bolsters. It uses its organs of public opinion not to warn the public, but to soothe it. It really succeeds not only in ignoring the rest of the world, but actually in forgetting it. And when a civilisation really forgets the rest of the world—lets it fall as something obviously dim and barbaric—then there is only one adjective for the ultimate fate of that civilisation, and that adjective is “Chinese.”

Martin Chuzzlewit’s America is a mad-house: but it is a mad-house we are all on the road to. For completeness and even comfort are almost the definitions of insanity. The lunatic is the man who lives in a small world but thinks it is a large one: he is the man who lives in a tenth of the truth, and thinks it is the whole. The madman cannot conceive any cosmos outside a certain tale or conspiracy or vision. Hence the more clearly we see the world divided into Saxons and non-Saxons, into our splendid selves and the rest, the more certain we may be that we are slowly and quietly going mad. The more plain and satisfying our state appears, the more we may know that we are living in an unreal world. For the real world is not satisfying. The more clear become the colours and facts of Anglo-Saxon superiority, the more surely we may know we are in a dream. For the real world is not clear or plain. The real world is full of bracing bewilderments and brutal surprises. Comfort is the blessing and the curse of the English, and of Americans of the Pogram type also. With them it is a loud comfort, a wild comfort, a screaming and capering comfort; but comfort at bottom still. For there is but an inch of difference between the cushioned chamber and the padded cell.






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